Comparison of Two Books Relevance to South Asian History Research Paper - 1

Correlation of Two Books Relevance to South Asian History - Research Paper Example At the point when the chose characters are world famous, one needs to swim through different materials and insights about their notoriety. As their commitments to the country just as its kin are important, one ought to be mindful in introducing even the moment insights about them. This is very relevant to the similar investigation of Subhas Chandra Bose, the incomparable Indian progressive, and Mother Theresa, the Nun Mother who showed the world the genuine estimations of affection and consideration in human life. Endeavoring a relative investigation of these two prominent characters one should as a matter of first importance center around their experience. The individuals of India keep everlasting recollections about Subhas Chandra Bose considerably following fifty years of his passing, yet he isn't a lot of well known with huge numbers of the westerners. As the radical head of the Provisional Government of Free India after its foundation by the Axis powers during World War II, many see him as the Asian Hitler or Quisling. Be that as it may, he was before long overlooked soon after the Allies vanquished his Indian National Army. For the Indians, he is still â€Å"Netaji† or respected pioneer. Mother Theresa, the Nun Mother was conceived Agnes Gonxha Bojaxhiu in Skopje, Macedonia, on August 26, 1910. She was destined to Albanian drop guardians and it is said that she had the call of God at twelve years old. This provoked her in joining the sisters of Loreto, an Irish people group of nuns with missions in India (The Nobel Peace Prize 1979). At the point when Mother was relegated to India after her underlying promises as a cloister adherent, she happened to meet the wretched condition of the needy individuals outside the religious circle divider and chose to elevate their grim state. In spite of the fact that she was without any assets to help them, she herself felt that she had the Divine Providence which helped her everything through her life. This benev olent and perpetual compassion alongside graciousness for the kindred creatures, make her extraordinary and the equivalent earned her The Nobel Peace Prize in 1979.

Dissociative Amnesia- Memory Loss Essay -- short term memory, American

Presentation: The principle Character is Lenard; he is a normal glancing male in his mid to mid thirties. From the outset look one could never believe that there is anything amiss with him, he talks plainly and shrewdly, id s respectful individual and polite while cooperating with others. Lenard does the run of the mill things and day by day exercises that a typical individual does. Without hesitation one can’t tell that, yet Lenard has a condition where he can't review whatever transpires inside merely minutes, things, for example, individuals he meets, the discussions he had and puts he’s been gotten far off following a couple of moments. The main thing that Lenard can recall is those things that occurred before the occurrence that caused his conclusion. The things that Lenard can review are those things, for example, his name, what his identity is, and the manner in which his life was before the horrible experience. Lenard is unequipped for gaining new experiences just as momentar y recollections. Conclusion: In the film Lenard tells individuals that he has transient memory misfortune, this isn’t the case however, Lenard’s issue is in truth progressively genuine then he knows. Lenard has; people who have this condition like Lenard experience issues recollecting portions of their lives from a solitary occasion or various occasions that have happened. Dissociative amnesia normally happens when an awful accident occurs in that individual’s life. For Lenard, the horrible accident that happened in his life was the rapping and murder of his significant other which happened in their own home while Lenard was snoozing, at that point got up to perceive what was happening, to which he was hit over the head with a weapon which caused his condition, at that point left laying other than his dead spouse on the washroom floor, Side effects and Axis I-V: The DSM... ...mama he experienced didn’t happen. Works Cited: DSM-IV-TR. (n.d.). American Psychiatric Association. Token. Dir. Christopher Nolan. Milestone, 2000. DVD. Merriam-Webster. (n.d.). Etiology. Recovered November 9, 2013 from Merriam- Webster: http://www.merriam-webster.com/word reference/etiology NCBI. (n.d.) Us National Library of Medicine National Institute of Health. Recovered November 9, 2013, from PubMed: http://www.ncbi.nlm.nih.gov/pubmed/16791779 Psychotherapy And Counseling. (n.d.). Dissociative Amnesia †DSMIV Definition. Recovered November 9, 2013, from the DSM IV: http://psychotherapyandcounseling.org/dissociative-disarranges category/dissociative-amnesia Whitbourne, S. K., and Haligan, R. P. (2013). Irregular Psychology: Clinical Perspectives on Psychological Disorders, Seventh Edition. New York, NY: McGraw-Hill.

The Fantasy Worldbuilding Checklist Bring Your Literary Universe to Life

The Fantasy Worldbuilding Checklist Bring Your Literary Universe to Life Whether youre into the intricately complex high fantasy of The Lord of the Rings or you prefer just a dash of fantasy in your urban story setting, the possibilities and options of creating a stellar story that whisks your readers away to another time, realm, dimension, or universe are, truly, endless.However, there are rules. Meh, nix rules per se, although Im certain there are plenty of dedicated, well-read readers and writers of fantasy who would argue that there are, indeed, ironclad laws that accompany any good fantasy story. There are storytelling and worldbuilding elements your reader will expect, either based on their previous readings of fantasy or simply an unconscious expectation of the basic elements of storytelling, just with a fantasy spin.Here, Ill detail for you some of the top elements to consider when youre building your fantasy worldâ€"or realm, dominion, universe, planet, or ecosphereâ€"to life.DescriptionI know. The dreaded D word most writers fear, simply because it can be downright daunting and tiresome, but arguably the most important part of world-building, and thats why Im starting with it. A lot of writers struggle with description because theres a delicate balance that must be achieved, that perfect midway point between not nearly enough and entirely too much. Though most can agree that the aforementioned Lord of the Rings by J.R.R. Tolkien is a fantasy genre cornerstone, it gets as much flak for its lengthy descriptions as it does recognition for its compelling characters and richness of Middle Earth.Perhaps your reader doesnt need to know the species of the trees that dot your plains, or how sewage systems run in your world. They may not need to know that the enormous tapestry hanging in the great hall of your realm was stitched together by ninety-nine tiny, needle-bearing fairiesâ€"then again, if its important to the storyline and to your main characters journey, maybe they do. Maybe that tapestry is an important key to your hero w inning the day, and the secrets they need are kept by those fairies.If (and only if) its important to the storyline, include detailed description. Photo by Marko Blaževic on UnsplashPaint vivid pictures about the world your hero touches because its a world your reader has never visited before. But dont bog down the story and your readers imagination backpack with items they dont need and will only weigh them down on the climb up the mountainside of your story to the climax. Ever read a book that spends a great deal of time on a certain character, place, or item, and then you never read about it again? That would be considered too much unnecessary detail, and chances are, it confused or maybe even frustrated you. Both thingsâ€"confusion and frustrationâ€"are things you want to avoid making your reader feel at all costs. But if you describe a certain character, place, or item and it reappears to play a pivotal part in your heros journey, well done!CharactersVying for the number-one t he most important component of your story are the characters in it. Whos your hero? From where do they hail? Are they rich or poor? Commoner or noble? Do they have powers and/or magic? If so, how does that affect them? What do they look like and how do they dress?Just as important is the supporting cast. Who are your heros friends? Are they human? What other races of creatures and beings live in this world?Whos the villain? Is it an invading force from another realm? Another dimension? An evil, spiritual force? Dont make your villain just a cliché mustache-twirler. Give your villain some depth. Consider what your villain is fighting for as well, and why. Give them as much agency to do their Big Baddie thing as youre giving your hero to save the kingdom, the world, or even just the day.MagicSpeaking of magic, this is a huge aspect of fantasy. Its what sets fantasyâ€"low, high, urbanâ€"apart from other genres of fiction. Magic is, well, magical, but it comes in many different forms. Elemental magic, black magic, white magic. Consider what this might look like in your world.You should always consider what magic might look like in your world. Photo by Rhii Photography on UnsplashConsider also the rules of this magic. Every type of magic has a cost. Perhaps thats a physical deficit to your hero or a mental one. Perhaps every time they shoot a fireball from their hands, a tiny troll explodes. Balance applies to magic in a big way, and it makes the story more interesting. If your hero can lift waggle their finger and decimate their enemy in ten seconds without breaking a sweat, whats the point of the epic journey?Social statusAll societies have a social structure and class of some sortâ€"unless its total anarchy! Where does your world lie, specifically the one your hero is in? Is it a fair society where the classes are about equal, or is it a kingdom, with nobility and royalty? Consider where your hero would best be placed inside the frame of their journey. Class do es matter here, as it will directly influence your heros resources.LawsConsider the laws that govern your story. Similar to magic having rules and a cost, the world your hero lives in should have both, as well. How is the hero being oppressed in their society, or what outside force is oppressing the society they must save? If the oppression is occurring within the society, what are the laws that are holding the hero down or back? How does it affect everyday life?GeographyWhere does your hero live? Where does the story take place? Whats the climate like there? It could be as small as a palace, or as big as an entire world. However, keep in mind that if the story is set in one kingdom inside a large world, and only that one kingdom, describing the rest of the world doesnt really serve the story if it doesnt influence the heros journey. Remember that metaphor from earlier about not weighing down your readers imagination backpack during their trek up the mountainside of your story? Sure , it might be interesting for the reader to know that theres a land of ice to the north, a desert to the south, and water on both sides, but unless those are places your character will visit as part of their journey, its probably okay not to spend more than a few sentences at most mentioning them.If your character will be visiting specific geography, its okay to explain that geography in detail. Photo by Sebastian Herrmann on UnsplashThe opposite is true, as well. If your character is going to embark on an epic journey across the entire land to accomplish their goal, describe each place in rich detail as long as it keeps the plot moving forward. How does the world youve created differ depending on where you are? Is the whole world hot and sandy, or are there varying climates? Let your reader smell the smells, see the sights, feel the tactile elements.WeaponryWhats an epic fantasy story without some epic battles? Might still be a good story, but it could be a great story if you add s ome of those where they work and where they propel the narrative forward. How are battles fought? With magic, weapons, or both? What do those weapons look like? History is a great way to design your weapons. You can take directly from history, or you can use weapons like swords, maces, clubs, battering rams, to expand upon and tweak until youve created something totally unique.ReligionIt is entirely possible that your hero may live in an atheistic society, but most societies have a higher power they believe in. Is your society monotheistic or polytheistic? What kinds of gods or god does the religion have? Is it more spiritual, or are there rituals that need to be observed? What are church services like?Most importantly, how does or doesnt religion influence your hero? Do they struggle with fighting battles because killing is against their beliefs, or do they revel in it, knowing their god has promised glory of some sort? Maybe your story is about your hero finding their relationship with a god or gods. While you dont need to try to model descriptions of your storys religion on the book of Genesis, its probably a good idea to decide up front how much or how little youd like it to influence your world, and go from there.HistoryHistory influences how a society, kingdom, or world perseveres or fails. History precedes the start of every story unless youre writing about the creation of a certain world. But most fantasy stories take place in lands that have long been established. So what happened before the story opens? This, like every other aspect of world-building, needs to be handled with care and balance. Consider your heros journey, and their ultimate goal (which they may not be aware of at the very start of the story). Consider their starting place. How has or how could history influence this journey? How does it affect other aspects of the story? You should avoid a long, drawn-out history lesson at all costs, but pepper in aspects and nuggets of history where they fit and where theyre appropriate.